Tate Olive vs Silt
Tate Olive is a Benjamin Moore color while Silt comes from Little Greene. These are both greige-greys, so the question isn't which hue to choose — it's where within greige-grey to land. With LRVs of 22 and 21, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Tate Olive's yellow character against Silt's red — becomes most visible against white trim or in morning light. At ΔE 5.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Tate Olive vs Silt in Real Spaces
1 real room side by side. Tate Olive and Silt are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Tate Olive vs Silt Simulated Comparison
5 simulated room previews — drag the slider on each to see Tate Olive on one side and Silt on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tate Olive comparisons
See how Tate Olive stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Tate Olive encloses it.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
At LRV 22 vs 6, Tate Olive is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Tate Olive encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Tate Olive encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Tate Olive encloses it.
Tate Olive reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Tate Olive the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Tate Olive encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 22), opening up a space where Tate Olive encloses it.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 22 vs 8, Tate Olive is decisively the brighter choice.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Tate Olive encloses it.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.