Antimony vs Tinsmith
Both are Sherwin-Williams colors. These are both greys, so the question isn't which hue to choose — it's where within grey to land. With LRVs of 57 and 57, they'll behave almost identically in terms of how much light they reflect back into a room. They share a neutral quality — useful to know if you're layering them in the same space. With a ΔE of 1.7, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Antimony vs Tinsmith in Real Spaces
1 real room side by side. Antimony and Tinsmith are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Antimony vs Tinsmith Simulated Comparison
5 simulated room previews — drag the slider on each to see Antimony on one side and Tinsmith on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antimony comparisons
See how Antimony stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 57), opening up a space where Antimony encloses it.
A 5-point LRV gap (57 vs 52) makes Antimony the marginally brighter of the two.
At LRV 57 vs 30, Antimony is decisively the brighter choice.
A 3-point LRV gap (60 vs 57) makes Agreeable Gray the marginally brighter of the two.
With LRVs of 58 and 57, the two reflect almost the same amount of light.
Antimony reflects far more light (LRV 57 vs 27), opening up a space where Denim Drift encloses it.
At LRV 57 vs 43, Antimony is decisively the brighter choice.
With LRVs of 57 and 55, the two reflect almost the same amount of light.
Antimony reflects far more light (LRV 57 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 57, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 57), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 57), opening up a space where Antimony encloses it.
Antimony reflects far more light (LRV 57 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.
Antimony reflects far more light (LRV 57 vs 12), opening up a space where Vintage Vogue encloses it.
Antimony reads slightly lighter (LRV 57 vs 45), a gap that shows most in low-lit rooms.
At LRV 57 vs 31, Antimony is decisively the brighter choice.
At LRV 57 vs 7, Antimony is decisively the brighter choice.
At LRV 57 vs 24, Antimony is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 57 vs 57), so neither reads brighter in a room.